The Body ? Lingua Ignota
2496 S Wentworth Ave, Milwaukee, WI, 53207
$10 ADV /// $10 DOS
the body (Portland, Oregon)
With each release, the duo of Lee Buford and Chip King continue to defy the constraints of what it means to be a ?heavy? band, seamlessly combining composition or production approaches from hip hop, pop, classical, as well as rock and electronica resulting in a rich and utterly singular sound. Equally at home on festival stages, art spaces, or in DIY basements, they transcend musical boundaries. Their ambitious creativity shapes their bleak worldview into propulsive, affecting, and even danceable music often drenched in distortion. On I Have Fought Against It, But I Can't Any Longer The Body challenged themselves again by turning their compositional approach on its head, choosing to build the record on their own samples rather than recording the basic tracks of drums and guitars and processing those. The results carry the listener towards the brink of emotional and musical extremes. I Have Fought Against It? conjures the sublime from an unexpected and incomparable variety of sounds. The Body are known for their intense, abrasive live shows, whose waves of dissonance create an abiding dread or an overwhelming sense of terror. They create a volume of sound almost unfathomable from a duo and are unaffected by instrument choice: guitar and drums, or keyboard and synthesizers
Lingua Ignota (Lincoln, RI
Kristin Hayter is an interdisciplinary artist, composer, and performer currently living in Rhode Island. She holds a BFA from The School of the Art Institute of Chicago and an MFA in Digital Language Arts from Brown University. She will be pursuing a doctoral degree in the Fall of 2017. A classically-trained vocalist, Kristin works with a variety of media and technology to create dense works harnessing the tech-mediated or acoustically extended voice, and is inspired by vernacular extreme forms such as black metal, power electronics, and harsh noise as well as sacred and liturgical music. Her solo project LINGUA IGNOTA explores violence and gender in extreme music through a morally ambiguous, emotionally/physically intense performance practice that has been described as ?crushing.?